Egyptian bronze sculpture of Amun in sitting position with resting arms, on quadratic base, thin beard and sun crown; on the base some hieroglyphs; full cast with original patina, partly with verdigris, corroded; on the hands possibly missing attribute; on later wooden base; possibly ancient.
240 -480 EUR
Baroque prie-dieu, in two parts, lower chest with one door; waved lid and movable step; inside four drawers; original hinges; arched top with outsawed sides and carved gilded open work ending; in the centre oil painting from the Austrian School around 1750 surrounded by arched carved and gilded frame; rich baroque geometrical intarsias with volutes in walnut, plum and maple veneer on pinewood with stepped borders; Vienna or Lower Austria mid of 18th Century
88x45cm, height 200cm
Balthasar van der Ast (1593-1657)-school, Still life with tulip in Chinese vase with insects and mussel, in front of dark background; oil on octagonal wooden panel, in a Florentine renaissance style ebonised frame with bronze and stone mounts; on the reverse old paper label.
Church tower clock work, original iron forged movement, with three original weight rolls and string holders; iron dial with Roman numbers and description in Czech language; functioning not tested; pendulum and small parts possibly missing; rusty; Bohemia 18th/19 Century.
100cm height, 135cm long, 70cm depth
Hunting cutter, shaped and polished steel blade with engraved ornaments and animals; on one side with master manufacture sign; hanging hole; the grip with bronze hand protection with scroll, leaves and animals; the wooden grip with naturalistic carved bear, lion and dogs; German around 1700.
Jacopo Chimenti da Empoli (1551-1640), Pair of paintings: The banquet of St. Louis of France and A priest washing the feet of pilgrims; oil on wooden panel framed. Provenance: collection of Vasco Pratolini. Literature: Luciano Berti 1967, The Medici and the end of the Renaissance in Florence, publ. by Edam. With copy of an expertise by Allesandro Parrochi from 1965.
Limoges travel triptych showing the Sermon on the Mount, Godfather in the centre, the Baptism and the execution of Johannes; with angel faces; multicolour and painted enamel on copper, in arched bronze frame; monogrammed on the bottom right I. R.; in later red velvet cover; damages, parts missing, French 16th/17th Century.
German school 17th/18th Century, Raptus group of a Nessus abducting Deianeira; on the foot Putto on round bowed and rich with ornaments and figures decorated base, on four round feet; bronze cast with original light brown patina, partly rubbed; the bronze base connected with two iron screws; in the centre on the underside round figural scene with description in the cast unreadable.
Desiderio da Settignano (1428-1464)-attributed, Arched marble plinth with lady and child holding a book in front of a shell-top niche, surrounded by stepped integrated frame; on the bottom niche for former label (missing); white and grey Carrara marble.
Baroque console table, on two curved legs with carved and open work connection; curved top and upper border with rich open work carved decorations; partly gilded and with green faux-marble lacquer decoration; South German, mid of 18th Century.
58cm height, width 95cm, depth 50cm