A Turkmenistan Saddle, wood carved in traditional shape, with one central hole for fixing, on the borders engraved ornamental decorations in I. Original painted with flowers in naturalistic colours. On the bottom decorated. Ottoman Empire, possibly Uzbekistan, 17/18th Century, damages. 46×32 cm
Austrian Artist around 1810, horse race in landscape with classical monument on a hill and visitors at the final. With soldiers from the Ulan regiment number 3: Erzherzog Carl Ludwig. And goal flags in yellowish colours with blue strips, possibly from lower Austria. Oil on canvas in a carved and gilded classicist frame.
A Gallo Sienna Marble Basin in baroque style with octogonal base and outbowed and curved central feet with sculpted decorations in relief technique, on top a cartouche shaped basin with four volutes on the corners and bowed borders. On the sides two red stone ovals surrounded by volutes. Partly stepped and bombed with old holes from former mount. Collapsible in two parts.
Height 105 cm, Width 70
William Blake (1757-1827)-attributed, mythological scene- male releases from chains and stepping out from the underworld or flames. Ink and watercolour on paper, framed under glass, in a gilded 19th Century frame. On the reverse described “Füssli”, early 19th Century.
Asian bronze Sculpture, Goddess in standing position with Cupid and scarf, holding in her right hand a model of a Pagoda, on rectangular base on four legs. Bronze cast with fine hand-finish and original dark patina. South China, 16/17th Century.
Height: 35 cm
Lot of three Objects, comprising a female personification of Asia and the Koran, watercolour and other techniques on paper, oval, under glass in gilded collectors frame. Another watercolour of a church with peasants in sepia technique on paper signed “Julie Desfours” and dated 1829. And another colour print on textile after Guido Reni in oval shape under glass and in gilded frame.
Pair of Lombard Iron Consoles, each on four double waved and S-shaped iron legs ending in volutes, rusty, in the centre with bronze decorations. Connected with four waved iron rods as well with bronze decorations ending on the ends in volutes. In the centre iron flowers, the other one with a Fleur de Lys. The top with waved iron rod and central waved and scrolled decorations. Original marble tops missing, original hand forged and riveted connections, probably originally made for a Grotta Azzura interior in the 18th Century.
140×60cm, Height: 91cm
Large Indo-Chinese bronze Buddha, in sitting position with earth touch, bronze cast with hand-finish and original brown patina, remains of gilding and colouring. At the reverse six sign marks, the underside with copper plate. Possibly late Ming or Qing dynasty.
Height: 66 cm
Three Japanese Panels, wooden, partly open work, carved decorations with flowers and birds, ebonized, in the centre lacquer panel with Lychee brunches on red ground, and each panel with two I. And mother of pearl carved and engraved figural decorations on black lacquer ground. Each panel signed, on the reverse as well decorations with leafs on red lacquer. Damages, Japan around 1900.
Each Panel 190×68 cm
Canton Enamel Wash Set, with a deep bowl with bride border, and a can with hand-grip. Copper with rich multicolour enamel paint decoration of flowers and butterflies on blue ground, in the centre historical figural scenes, inside white and green leafs as well as green hand-grip. Damages, 18/19th Century.
Diameter: 32 cm, Height: 23 cm
Travel Artist, four paintings showing the river Rhine with ferries, peasants and houses, the Forum Romanum with visitors , a Spanish or French castle with farmers and the entrance to the church of the Holy Sepulchre in Jerusalem with traders. Oil on canvas, framed, first half of 19th Century.
Peter Fendi (1796-1842), two watercolours showing mother with two children, signed on the bottom “Fendi 1837” and two girls with a baby and boy in landscape. Signed and dated on the bottom “Fendi 1832”. Watercolour on paper, in passepartout, framed under glass.
9 x7 cm and 7,5×9,5 cm
A late Ming bronze sculpture of goddness Guanyin; bronze cast with very fine and deep cutted hand finish, original gilding, partly engraved, with floral decorations; the crown, arms, breast and feet with rich ornamental decorations; the hair with original dark patina; on the reverse six-signs marks in the back; bottom with copper plate with floral decorations; possibly Indo-Chinese. 16/17th Century.
Friedrich Gauermann ( 1807- 1862)-circle, idyllic alpine landscape with animals and farmers outside a house, oil on canvas, in a carved and gilded classicist frame. On the reverse old paper label with attribution to Edmund Mahlknecht (1820-1903).
Hippolyte Leymarie (1809 -1844), View of London with the Thames river and sailing-ships, boats and steamboats. One with the American flag, and several people. Oil on canvas, signed bottom right, in the original gilded frame. Literature: https://fr.wikipedia.org/wiki/Hippolyte_Leymarie executed: 1841.