School of Lower Austria, Standing angel with gilded wings, serviette and flower in the hair; naturalistic wood carving with white colour; old restorations; around 1750.
Large silver Augsburg representation plate, oval form with waved borders, white floral border band, in the centre Paris and the three graces with Mercury and angels in landscape; silver chased and partly engraved; on the outer border four different hallmarks or master signs; German around 1700 or later; 1800g.
A Piedmontese baroque console, on two shaped legs with lower connection in shape of volutes and a fleur de lis with a column in floral shape; the two legs ending in carved scrolls and male heads with floral crowns; the upper frieze decorated with flower garlands and open work and a central carved mask; the sides with open work and floral decorations; hard wood carved and original gilded with grooved geometrical decorations; the shaped original thick brèche d'Alep marble top stepped, on red, black and white colours; Piedmontese mid of 18th Century.
German silver sculpture of Gustav Adolf II. (1594-1632), on horse, with marshal's baton, on oval bowed and shaped base, with rich floral and victory engravings, chased; on the side two warrior heads, shaped border; the sculpture finely chased and engraved with sword and collapsible horse head; gilded; on the bottom three hall marks; 1620g; probably Nuremberg 17th/18th Century.
Thomas Gainsborough (1727-1788)-attributed, Portrait of Frederick Howard 5th Earl of Carlisle (1748-1828) with a rabbit and a bow and his dog in landscape; oil on canvas, painted in oval; on the reverse old paper label with description regarding the painting and the sitter and stated „painted by Gainsborough 1765“ and description on the canvas, on old stretcher.
Italian marble bust of the ancient emperor Marc Aurel (121-180), with white sculpted marble head, with very fine curled hair and beard; very small grey veins, in red and pink marble armour with sculpted shoulder bands and angel's face, with grey and white veins, on round white and red marble base; Rome 18th/19th Century.
François Girardon (1628-1715)-school, Equestrian sculpture of Louis XIV (1638-1715), riding a walking horse; bronze cast with fine hand finish and original brown/green patina, the horse gilded, partly engraved; on ebonised and partly gilded geometrical decorated wooden base.
sculpture height 24cm, width 21cm, total height 33cm
Jean-Baptiste le Saive the Younger (1604-1641)-attributed, Large still life with a market stand, a lady holding a large delft dish with a lobster and a man holding a silver tazza with fruits; on the table several fishes and fruits, as well on the floor animals with fruits and vegetables surrounded by dogs and a cat; some poultry hanging on the side and an open view to the next room showing poultry, fishes and vegetables; oil on canvas, in original frame.
Jean-Baptiste le Saive the Younger (1604-1641)-attributed, Large still life with market stand and a lady holding a dish of figs and a man standing next to her with hat; on the table flowers and baskets with fruits, on the floor on the front side vegetables, poultry and fishes, surrounded by a dog; on the side as well hanging poultry and in the back room a draped table with several fruits; on the upper right side an open window with view to the sky and two pigeons; oil on canvas, in original frame.
Two pietra dura pictures showing a gentleman with stick on a street in front of black background; inlaid with multicoloured stones; and an oriental with turban on street in landscape in front of brown background; possibly workshop of the Grand Ducale, Florence, 18th Century; in wooden frames from later date.
17x12cm and 18x13cm
Austrian pendulum clock with iron movement and iron shield with Roman numbers painted, and a coat of arms; dated 1788; the two brass fingers, pendulum and bell possible from later date; with old lead weights on later strings; movement in very well condition; Austrian/Hungarian 18th Century.
Particular single arm chair, on four partly shaped legs, with carved and grooved ornaments and four fluted columns with central oval decorations; wooden frieze under the seat with grooved geometrical decorations, high back rest with cushioned rectangular leaning and rich volutes and carved decorations, on top and on the sides the arm rest as well with volutes and carved supports; in cream/green colours with several gildings; cushioned seat and back, textile from later date; 19th Century.
height 98cm, width 70cm, seat high 50cm
Italian silver sculpture of a saint holding his hands before him, with habit and rosary; very fine chased and engraved silver work; on the reverse three hall marks; mounted on wooden sculpted torso; on oval ebonised wooden base; the halo missing; Central Italian early 18th Century.
total height 37cm
Classical Italian marble stand on round stepped base with gilded bronze central column and pearl decorations on the base, gilded bronze string knot decorations; three central marble relief, in triangle shape, on acanthus leaves support showing Minerva and two other Roman female goddess with children; on top a shaped column ending in acanthus leaves; early 19th Century; with later bronze mount for electrification for two lamps and shade.
total height 62cm, width 18cm
Johann Meinrad Guggenbichler (1649-1723)-attributed, A pair of wall consoles with angel faces, volutes and flower decorations, wood carved and coloured, partly gilded and with open work; on top shaped and carved plate with later upper protection plate; on the reverse old iron hanging fitment; a pair.
height 32cm, width 42cm
Souvenir of the Grand Tour; bronze oil lamps in ancient Roman manner, hanging on chains, held by three cranes, on a classical trapeza decorated with deer heads and a central flower with a dancing figure on top; acanthus leaves; on three shaped claw feet; bronze cast with fine hand finish and original dark patina; Italian 19th Century.
height 70cm, width 32cm
A pair of Venetian Nubian servants standing on a canted wooden stepped base and each of them holding a gilded volute with a Chinese porcelain vase in family noire style on top; each vase with one lid and richly painted with flowers and decorations on black ground, glazed; the sculptures finely wood carved with partly gilded and multicoloured paint in Venetian traditional manner; on top a turban as well painted with feather; a pair; Venice 19th Century.
total height 190cm
Small Empire bronze clock with Flora as Goddess of Agriculture on a carriage, in the centre an enamelled dial with Arabic numbers, one wind up hole and one iron finger; on the sides two lions, on U-Form base with central ornament showing agriculture; on four round feet; partly engraved, gilded and dark brown patinated; one key; around 1810.
height 18cm, width 18cm
Twelve Chinese roll paintings showing possibly emperor Wanli (1563 –1620) in several scenes with court members and servants; black Indian ink with watercolour on paper; one signed on the barrel with four script signs; laid down on paper; damages, twelve items; possibly Ming Dynasty.
A set of four walnut chairs in baroque style, each on four shaped legs, partly fluted and shaped wooden seat frame frieze with shaped back rest in medallion form; richly carved with floral ornaments and volutes; on top a bunch of flowers; with later red back and seat tapestry; 19th Century.
total height 90cm, width 56cm, depth 50cm and seat height 50cm
Chiurazzi Foundry (1870-1939), Four busts of ancient emperors: Adriano, Settiminio, Ottaviano and Cesare in armour, with lion and Minerva head, bronze casted with brown patina and partly gilded; on integrated brown base; on four wooden bases, vertical shape, partly stepped with faux marble design paint in green and red.
total height 220cm; the busts 82cm
Extraordinary and particular large Chinese blue and white porcelain bowl with round shaped border, waved extended high border rim, decorated with a blue painted dragon in the centre with clouds and four dragons on the sides; on white ground, glazed; possibly Qing Dynasty.